SWV 094 — De vitae fugacitate "Ich hab mein Sach Gott heimgestellt" - on the death of Schütz' sister in law Anna Maria Wildeck, three weeks before the death of Schütz' wife Magdalena herself after 6 years of marriage. Listed here are most of his compositions in the order of the SWV (Schütz-Werke-Verzeichnis) catalog. After a prolonged yet polite negotiation between the Landgrave and the Elector, Schütz moved to Dresden in 1615 to work as court composer to the Elector of Saxony. Gerald Drebes: ‘‘Schütz, Monteverdi und die „Vollkommenheit der Musik“ – „Es steh Gott auf“ aus den „Symphoniae sacrae“ II (1647)‘‘. After being a choir-boy he went on to study law at Marburg before going to Venice from 1609–1612 to study music with Giovanni Gabrieli. In the year he was born, 596 people from his home town Weissenfels, were killed by an epidemic of the plague. 2015 Heinrich Schütz: Der Vater der deutschen Musik (Documentary) 1972 BBC Proms (TV Mini-Series) (Composer additional music) Hide Show Composer (1 credit) [3], Schütz moved back to Weißenfels, in a retirement he had to beg for, to live with his sister (the house is now a fine museum of his life), but the Electoral Court often called him back to Dresden. After Bach, the most important composers to be influenced by Schütz were Anton Webern and Brahms, who were known to have studied his works. The unique composition "Es steh Gott auf" (SWV 356) is in many respects comparable to Monteverdi. A large number of his compositions went unpublished, most of those now lost. Heinrich Schütz was one of the most esteemed German composers of all time and a brilliant organist of the 17th century, alongside Claudio Monteverdi. Schütz was born in Köstritz, the eldest son of Christoph Schütz and Euphrosyne Bieger. ): S, A, T, B; bc, SWV 474 — Ach wie soll ich doch in Freuden leben, Coro I: S, lutes; Coro II: S, 3 viole; Coro III: S, 3 trombones; cap. The story of Heinrich Schütz reads like the book of Job. He visited Italy a second time … Upon hearing young Heinrich sing, the landgrave requested that his parents allow the boy to be sent to his noble court for further education and instruction. Justifiably one of the composer’s most popular works, the Weihnachtshistorie (Christmas Story) is probably also the most lovable, its vibrant colour and freshness all the more extraordinary when one recalls Schütz was in his 76th year when the oratorio was composed in 1660. He subsequently was organist at Kassel from 1613 to 1615. Heinrich Schütz is regarded as the first German musician of European stature. But the way in which Heinrich was “written into” the Musikalische Exequien goes beyond merely repeated textual reference. SWV 022 — Der Herr sprach zu meinem Herren (, SWV 029 — Wie lieblich sind deine Wohnungen (, SWV 030 — Wohl dem, der den Herren fürchtet (, SWV 032 — Danket dem Herren, denn er ist freundlich (, SWV 035 — Singet dem Herrn ein neues Lied (, SWV 036 — Jauchzet dem Herren, alle Welt (, SWV 039 — Lobe den Herren, meine Seele (Concert), SWV 040 — Ist nicht Ephraim mein teurer Sohn (Motet), SWV 041 — Nun lob, mein Seel, den Herren (Canzon) on, SWV 044 — Wohl dem, der den Herren fürchtet (, SWV 045 — Danket dem Herren, denn er ist freundlich (, SWV 046 — Zion spricht, der Herr hat mich verlassen (Concert), SWV 047 — Jauchzet dem Herren, alle Welt (Concert), SWV 048 — Siehe, wie fein und lieblich ist's. Schütz's writing often includes intense dissonances caused by the contrapuntal motion of voices moving in correct individual linear motion, but resulting in startling harmonic tension. Rep. 1972 stamp devoted to Heinrich Schütz, https://en.wikipedia.org/w/index.php?title=Heinrich_Schütz&oldid=999956144, People celebrated in the Lutheran liturgical calendar, Short description is different from Wikidata, Articles with Encyclopædia Britannica links, Articles with International Music Score Library Project links, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, Symphoniae sacrae (Book 2) (opus 10, Dresden, 1647), Symphoniae sacrae (Book 3) (opus 12, Dresden, 1650), Moser, Hans Joachim (1936, 2nd edition English translation by Carl F. Pfatteicher, 1959), This page was last edited on 12 January 2021, at 20:17. There are over 500 total surviving individual pieces by Schütz. This contrasts sharply with the manner of his contemporary Samuel Scheidt, whose counterpoint usually flows in regularly spaced entries. SWV 056 — Quid commisisti, o dulcissime puer? Tota Slesis resonet, resonet jam tota Budorgis: Omnibus o bona pax gaudia" (Also SWV338:2 with alternative ecclesiastic text: Adveniunt pascha pleno concelebranda triumpho ), SWV 339 — Ich beschwöre euch, ihr Töchter zu Jerusalem (Dialogus), SWV 340 — O du allersüßester und liebster Herr Jesu, SWV 341 — Mein Herz ist bereit, Gott, mein Herz ist bereit, SWV 342 — Singet dem Herren ein neues Lied, SWV 343 — Herr, unser Herrscher, wie herrlich ist dein Nam, SWV 347 — Ich danke dir, Herr, von ganzem Herzen, SWV 350 — Lobet den Herrn in seinem Heiligtum, SWV 351 — Hütet euch, daß eure Herzen nicht beschweret werden, SWV 352 — Herr, nun lässest du deinen Diener im Friede fahren, SWV 353 — Was betrübst du dich, meine Seele, SWV 354 — Verleih uns Frieden genädiglich, SWV 355 — Gib unsern Fürsten und aller Obrigkeit, SWV 357 — Wie ein Rubin in feinem Golde leuchtet, SWV 359 — Der Herr ist mein Licht und mein Heil, SWV 360 — Zweierlei bitte ich, von dir, Herr, SWV 361 — Herr, neige deine Himmel und fahr herab, SWV 367 — Freuet euch des Herren, ihr Gerechten. SWV 445 — Ach bleib mit deiner Gnade, doub. 4vv and insts ad lib, bc, SWV 403 — Siehe, es erschien der Engel des Herren, S, 2 T, B, 2 vn, compl. The Thirty Years' War ended in 1648, and he again became more active in Dresden. Musikalische Exequien (Funeral music), Op. Online: Museum of Musical Instruments of Leipzig University, List of music students by teacher: R to S#Heinrich Schutz, Sacred German Music in the Thirty Years' War, International Music Score Library Project, Germany Fed. Practical considerations were certainly responsible for part of this change: the Thirty Years' War had devastated the musical infrastructure of Germany, and it was no longer practical or even possible to put on the gigantic works in the Venetian style which marked his earlier period. Psalm), 2 S, A, B, bc, SWV 425 — Danksagen wir alle Gott, 2 S, A, T, bc, SWV 427 — O süsser Jesu Christ (Des H. Bernhardi Freudengesang), 2 S, A, B; I: 2 S, A, B; II: 2 S, A, B; bc, SWV 428 — Kyrie eleison, Christe eleison (Die teutsche gemeine Litaney), S, A, T, B, bc, SWV 429 — Aller Augen warten auf dich (Das Benedicite vor dem Essen), S, A, T, B, bc, SWV 430 — Danket dem Herren, denn er ist freundlich (Das Gratias nach dem Essen), S, A, T, B, bc, SWV 431 — Christe fac ut sapiam (Hymnus pro vera sapientia), S, A, T, B; I: S, A, T, B; II: S, A, T, B; bc. Unjustly neglected next to the more popular Christmas Oratorio by J.S Bach and Handel's Messiah, this quasi-dramatic retelling of the Christmas story is a joyful series of musical tableaux that deserves great exploration A noticeable departure from the chant-like recitation of the Christmas story in … He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Schütz served most of the period of 1642-1644 in the Copenhagen court of Prince Johann Georg, though he remained officially tied to his Dresden post. He wrote what … In: ‘‘Schütz-Jahrbuch‘‘, Jg. ad lib), bc, SWV 456 — Hodie Christus natus est, 2 S, A, 2 T, B, bc, SWV 457 — Ich weiss, dass mein Erlöser lebet, 2 S, A, 2 T, B, SWV 458 — Kyrie eleison, Christe eleison (Litania), 2 S, A, 2 T, B, bc, SWV 459 — Saget den Gästen, S, A, T, B, 2 vn, bn, bc, SWV 460 — Itzt blicken durch des Himmels Saal (Madrigal) (Opitz), 2 S, A, T, B, 2 vn, bc, SWV 461 — Herr, der du bist vormals genädig gewest, 2 S, 2 T, B, 2 vn, 3 trombones ad lib, cap. 8 October] 1585[1] – 6 November 1672[2]) was a German composer and organist, generally regarded as the most important German composer before Johann Sebastian Bach, as well as one of the most important composers of the 17th century. Representative works include his Psalmen Davids (Psalms of David, Opus 2), Cantiones sacrae (Opus 4), three books of Symphoniae sacrae, Die sieben Worte Jesu Christi am Kreuz (The seven words of Jesus Christ on the Cross), three Passion settings and the Christmas Story. 4vv and insts ad lib, bc, SWV 399 — Ich hebe meine Augen auf, A, T, B, 2 vn, compl. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. He is commemorated as a musician in the Calendar of Saints of some North American Lutheran churches on 28 July with Johann Sebastian Bach and George Frideric Handel. SWV 021 — Haus und Güter erbet man von Eltern, for wedding of Michael Thomas and Anna Schultes, Leipzig, 15 June 1618. Both the choir and the orchestra are divided into two sections: Chorus 1 and Chorus 2, Orchestra 1 and Orchestra 2. SCHÜTZ, Heinrich (name sometimes Latinized Sagittarius), 'the father of German music,' as he has been styled, was born at Köstritz, Saxony, Oct. 8, 1585. She bore two daughters before her death in 1625: Anna Justina, born in 1621, and Euphrosyne, born in 1623. 2 S, A, T, B ad lib], cap. Even though he was an outstanding organist, he published no instrumental music. While Schütz was living with his parents, his musical talents were discovered by Landgrave Moritz von Hessen-Kassel in 1598 during an overnight stay in Christoph Schütz's inn. His parents initially resisted the offer, but after much correspondence they eventually took Heinrich to the landgrave's seat at Kassel in August 1599. SWV 369 — Es wird das Scepter von Juda nicht entwendet werden, SWV 370 — Er wird sein Kleid in Wein waschen, SWV 371 — Es ist erschienen die heilsame Gnade Gottes allen Menschen, SWV 372 — Verleih uns Frieden genädiglich, SWV 373 — Gib unserm Fürsten und aller Obrigkeit, SWV 375 — Viel werden kommen von Morgen und von Abend, SWV 378 — Die mit Tränen säen werden mit Freuden ernten, SWV 386 — Die Himmel erzählen die Ehre Gottes, SWV 387 — Herzlich lieb hab ich dich, o Herr, SWV 392 — Was mein Gott will, das g'scheh allzeit, SWV 393 — Ich weiß, daß mein Erlöser lebt, SWV 396 — Auf dem Gebirge hat man ein Geschrei gehöret, SWV 398 — Der Herr ist mein Hirt, S, A, T, 2 vn, compl. The words are from the Bible and by the poet Picander. Schütz was of great importance in bringing new musical ideas to Germany from Italy, and thus had a large influence on the German music which was to follow. 4vv and insts ad lib, bc, SWV 400 — Wo der Herr nicht das Haus bauet, 2 S, B, vn, cornettino/vn, compl. On his 400th birthday a museum was opened in me. Heinrich Schütz, Latin Henricus Sagittarius, (born October 8, 1585, Köstritz, Saxony [now in Germany]—died November 6, 1672, Dresden), composer, widely regarded as the greatest German composer before Johann Sebastian Bach.. Schütz was one of the last composers to write in a modal style. SWV 454 — Nun lasst uns Gott dem Herren, doub. XV) is known : it was used at the ceremony at which the Silesian nobility swore allegiance to Johann Georg of Saxony as the representative of Emperor Ferdinand (Breslau 1621) ...", Frederick William II, Duke of Saxe-Altenburg, Die sieben Wortte unsers lieben Erlösers und Seeligmachers Jesu Christi, "German Literature Companion: Heinrich Schütz", "David Schirmer's Ballet von dem Paris und der Helena (1650): An Example of Early German Musical Drama", "German Literature Companion: August Buchner", https://en.wikipedia.org/w/index.php?title=List_of_compositions_by_Heinrich_Schütz&oldid=945651830, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License. He was Kapellmeister at the Dresden court from c. 1617 to 1657 and also served as guest director of music at the courts of Copenhagen and Wolfenbüttel.Schütz was an important figure in the transmission of Italian styles to German-speaking lands, and he … Laetentur cives patulo gens omnis in orbe, In Patria dulci prosperitate nova. SWV 331 — Die Stimm des Herren geht auf den Wassern, SWV 335 — Was betrübst du dich, meine Seele, SWV 337 — Aufer immensam, Deus, aufer iram, SWV 338 — Teutoniam dudum belli atra pericla molestant. S, A, T, B ad lib, bc, SWV 416 — Herr, wie lang willt du mein so gar vergessen, 2 S, A, 2 T, B, 2 vn, compl. Apart from his first book of madrigals, he left almost no secular music; no score for his (1627) opera, Dafne has survived. [2], Psalmen Davids: Hiebevorn in Teutzsche Reimen gebracht durch D. Cornelium Beckern, Opus 5: Freiberg (1628), revised Dresden (1661), Symphoniae sacrae I, Opus 6: Venice (1629), Opus 7: Dresden (1636) for the funeral of de:Heinrich II. Bach and is often considered to be one of the most important composers of the 17 th century along with Claudio … Germany’s pre-eminent composer of the seventeenth century Heinrich Schütz occupied a position analogous to that of J S Bach in the eighteenth. SWV 049 — En novus Elysiis - ceremonial motet for the oaths of allegiance of the Silesian nobility to Johann Georg of Saxony as the representative of Emperor Ferdinand (Breslau 1621). He composed and published volumes of his collections of sacred music.. SWV 501 — Mit dem Amphion zwar mein Orgel und mein Harfe (Klag-Lied), T, bc, on death of Magdalena Schütz, Dresden, 6 Sept 1625; A1 — Vier Hirtinnen, gleich jung, gleich schon, 2 S, A, T, bc. Most of his surviving music was written for the Lutheranchurch, primarily for the Electoral Chapel in Dresden. His harmonies often result from the contrapuntal alignment of voices rather than from any sense of "harmonic motion"; contrastingly, much of his music shows a strong tonal pull when approaching cadences. In 1590 the family moved to Weißenfels, where his father managed the inn "Zum güldenen Ring". Schütz was equally fluent in his Latin or Germanic styles. Biography, musicology. 25–55. Young Heinrich probably studied with George Weber, a composer and the local Kantor. He is credited with bringing the Italian style to Germany and continuing its evolution from the Renaissance into the Early Baroque. Here you can follow the life of the first German composer of international stature from Köstritz, on to Weißenfels, Kassel, Marburg, Venice, and Dresden. There are almost 500 known compositions by Heinrich Schütz. Schütz's compositions show the influence of his teacher Gabrieli (displayed most notably with Schütz's use of resplendent polychoral and concertato styles) and of Monteverdi. SWV 455 — Die Himmel erzählen die Ehre Gottes (Psalmus 19), 2 S, A, 2 T, B (+ cap. The music of Schütz in relation to his contemporaries is treated in Manfred E. Bukofzer, Music in the Baroque Era: From Monteverdi to Bach (1947), and in Claude V. Palisca, Baroque Music (1968). Heinrich Schütz was the greatest German composer of his time, and one of the first … Für die hocherwiesene Fürstl. Following Heinrich Spitta’s publication of Heinrich Schütz’s double-choir Deutsches Magnificat in a new edition in 1926, this work has gone on to become one of Schütz’s most popular works. Heinrich Schütz (b. (His long-time house on the same square has been reconstructed in the same style and is an apartment building with hotel rooms and a restaurant. Heinrich Schütz (composer 1585-1672) - Play streams in full or download MP3 from Classical Archives (classicalarchives.com), the largest and best organized classical music site on the web. Early life. 4vv and insts ad lib, bc, SWV 401 — Mein Sohn, warum hast du uns das getan (in dialogo), S, Mez, B, 2 vn, compl. The last work of Schtitz preserved to us, and perhaps his most famous work, is his setting of the story of the Passions, four settings in all, after the four Evangelists. Portrait of composer Heinrich Schütz, painted by Christoph Spätner, c. 1660, the year he wrote his "Historia der Geburt Christi" Credit Wikimedia Commons Music in Schütz’s lifetime was rapidly evolving from the flourishes of the Renaissance to the … [7] His funeral music "Musikalische Exequien" (1636) for his noble friend Heinrich Posthumus of Reuss is considered a masterpiece, and is known today as the first German Requiem. 4vv and insts ad lib, bc, SWV 409 — Seid barmherzig, S, A, T, B, 2 vn, bn (+ B), compl. The crowning achievement of Schütz’s career was surely his Passion settings, works that are controlled and refined yet retained a sense of drama and beauty. SWV 442 — Tugend ist der beste Freund (Opitz), 2 S, 2 vn, bc, SWV 444 — Es gingen zweene Menschen hinauf (in dialogo), 2 S, A, Bar, bc. In the closing movement of the work, Schütz embodies the device of prosopopoeia to truly “give voice” to the Prince. Like the Cantor of Leipzig, he spent most of his career in one city—Dresden, the seat of the Saxon electoral court—and composed in a wide array of genres, from madrigals and sacred concertos to quasi-theatrical ‘histories’ and operas. He also inherited a ring from Gabrieli shortly before the latter's death. SWV 330 — Wer will uns scheiden von der Liebe Gottes? Ceremonial text: "Omnibus o bona pax gaudia mille ferat. Heinrich Schutz was born on October 18, 1585. Heinrich Schütz: O süsser, o freundlicher - Play streams in full or download MP3 from Classical Archives (classicalarchives.com), the largest and best organized classical music site on the web. In 1655, the year that his daughter Euphrosyne died, he accepted an ex officio post as Kapellmeister at Wolfenbüttel. His long and sparkling career was spread across the late Renaissance to the Baroque era. Schütz's 'Christmas story' is a charming and succinct telling of the Christmas narrative. Heinrich Schütz (born Köstritz, Saxony, 8 October 1585; died Dresden, Germany, 6 November 1672) was the greatest German composer of his time. 4vv and insts ad lib, bc, SWV 412 — Siehe, wie fein und lieblich ist, 2 S, A, T, B, 2 vn, bn, compl. Gnade in Weimar. ), His pupils included Heinrich Albert, Christoph Bernhard, Anton Colander, Constantin Christian Dedekind, Carlo Farina, Johann Wilhelm Furchheim, Johann Kaspar Horn, Caspar Kittel, Christoph Kittel, Johann Klemm, Adam Krieger, Johann Jakob Loewe (or Löwe), Johann Nauwach, David Pohle, Philipp Stolle, Johann Theile, Clemens Thieme, Johann Vierdanck, Matthias Weckmann, Friedrich Werner, Friedrich von Westhoff. SWV 446 — In dich hab ich gehoffet, Herr, doub. S, A, T, B ad lib, bc, SWV 462 — Auf dich, Herr, traue ich (Psalmus 7), I: S, A, T, B; II: S, A, T, B; coro aggiunto (2 vn, viola cornett, 3 trombones), ad lib, bc, SWV 463 — Cantate Domino canticum novum, Coro I: S, A, T, B; Coro II: S, A, T, B, bc, SWV 464 — Ich bin die Auferstehung, Coro I: S, A, T, B; Coro II: S, A, T, B - on the death of, SWV 466 — Herr, wer wird wohnen in deiner Hütten (Psalmus 15), Coro I: A, B, 2 vn, vle; Coro II: S, T, 3 trombones, bc, SWV 467 — Wo Gott der Herr nicht bei uns hält, Coro I: S, lutes; Coro II: S, 3 viols; Coro III: S, 3 trombones, bc, on the hymn ", SWV 469 — Surrexit pastor bonus, 2 S, A, 2 T, B, 2 vn, 3 trombones, 2 cap. Prince Heinrich was interred on Feb 4 th, despite having died on December 23 rd. SWV 368 — Fürstliche Gnade zu Wasser und zu Lande 1647 Danck-Lied. In 1619 Schütz married Magdalena Wildeck (born 1601). A, T, B, vn, cornett, bc, SWV 475 — Veni, Sancte Spiritus, Coro I: 2 S, bn; Coro II: B, 2 cornetts; Coro III: 2 T, 3 trombones; Coro IV: A, T, vn, fl, vle; bc, SWV 476 — Domini est terra, Coro I: S, A, T, B (+ tutti ad lib); Coro II: S, A, T, B (+ tutti ad lib); 2 cornetti, 5 bn, 2 vn, 4 trombones; bc, SWV 477 — Vater Abraham, erbarme dich mein (Dialogus divites Epulonis cum Abrahamo), 2 S, A, T, B, 2 vn (alternating with 2 fl), vle, bc, SWV 479 — Historia des Leidens und Sterbens unsers Herrn und Heylandes Jesu Christi nach dem Evangelisten S. Matheum, 1666, Das Leiden unsers Herren Jesu Christi, wie es beschreibet der heilige Evangeliste Matthaeus, 2 S, A, 3 T, 2 B, chorus 4vv, SWV 480 — Historia des Leidens und Sterbens … Jesu Christi nach dem Evangelisten St. Lucam, Das Leiden unsers Herren Jesu Christi, wie uns das beschreibet der heilige Evangeliste Lucas, S, A, 3 T, 2 B, chorus 4vv, SWV 481 — Historia des Leidens und Sterbens … Jesu Christi nach dem Evangelisten St. Johannem, Das Leiden unsers Herren Jesu Christi, wie uns das beschreibet der heilige Evangeliste Johannes, S, 3 T, 2 B, chorus 4vv, SWV 482 — Wohl denen, die ohne Wandel leben - Psalm 119 - Aleph & Beth, SWV 483 — Tue wohl deinem Knechte, dass ich lebe - Psalm 119 - Gimel & Daleth, SWV 484 — Zeige mir, Herr, den Weg deiner Rechte - Psalm 119 - He & Vav, SWV 485 — Gedenke deinem Knechte an dein Wort - Psalm 119 - Dsaïn & Vhet, SWV 486 — Du trust Guts deinem Knechte - Psalm 119 - Thet & Jod, SWV 487 — Meine Seele verlanget nach deinem Heil - Psalm 119 - Caph & Lamed, SWV 488 — Wie habe ich deine Gesetze so lieb - Psalm 119 - Mem & Nun, SWV 489 — Ich hasse die Flattergeister - Psalm 119 - Samech & Ain, SWV 490 — Deine Zeugnisse sind wunderbarlich - Pe & Zade, SWV 491 — Ich rufe von ganzem Herzen - Koph & Resch, SWV 492 — Die Fürsten verfolgen mich ohn Ursach - Schin & Tav, SWV 493 — Jauchzet dem Herren, alle Welt - Psalm 100, SWV 495 — Unser Herr Jesus Christus, in der Nacht, I: S, A, T, B; II: S, A, T, B, SWV 496 — Esaja, dem Propheten, das geschah, B, 8vv,2 cornetts (alternating with 2 rec), 7vv, bc, SWV 497 — Ein Kind ist uns geboren, 2 T, bc, SWV 498 — Stehe auf; meine Freundin, I: S, A, T, B; II: S, A, T, B, SWV 499 — Tulerunt Dominum meum, et nescio ubi posuerunt eum, (. However, as noted above, the composer's style became simpler in his later works, which make less frequent use of the kind of distantly related chords and licences found in such pieces as "Was hast du verwirket" (SWV 307) from Kleine geistliche Konzerte II. (Reuß-Gera), Opus 13 (1671, Dresden) - Opus Ultimum - Schwanengesang, Die Auferstehung unsres Herren Jesu Christi, Funeral motet on the death of Johann Hermann Schein (1630), Erster Theil kleiner geistlichen Concerten, O du allersüßester und liebster Herr Jesu, Heinrich Schütz: a short account of his life and works Hans Joachim Moser (1967): "The exact purpose of Schutz's Syncharma Musicum (SWV 49, Vol. There are almost 500 known compositions by Heinrich Schütz. of Sachsen-Weimar (1598-1662); accompanying ballet is lost. A5 — Benedicam Dominum in omni tempore, doub. The following are major published works; most of these contain multiple pieces of music; single published works are also listed in the complete work list, including major works such as the Seven Last Words, and the Passions (according to Matthew, Luke, and John).

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